The Art of Madness


Autoria(s): Shocklee, Miceala Marie
Data(s)

2014

Resumo

The nineteenth century was not an entirely kind time for the female artist. Coming of age as the 1800’s bridged into its latter half, literary artists Elizabeth Stuart Phelps Ward, Charlotte Perkins Gilman, and Kate Chopin were all well aware of their uncharitable culture. Equipped with firm feminist bents and creative visions, each of three women produced a seminal work – The Story of Avis, “The Yellow Wallpaper,” and The Awakening, respectively – taking that atmosphere to task. In these stories, each of the three women produces a female protagonist who struggles for having been born simultaneously an artist and a woman. The writers pit their women’s desires against the restrictive latitude of their time and show how such conditions drive women to madness, as a result of which they are forced to either escape into the blind mind of insanity or deal daily with their pain and inescapable societal condemnation. In an age where “hysteria” was a frequent hit in the vernacular, Phelps, Gilman and Chopin use art and literature as mediums to show that, indeed, there is a method behind the madness.

Formato

application/pdf

Identificador

http://thesis.library.caltech.edu/8256/3/Shocklee%20The%20Art%20of%20Madness.pdf

Shocklee, Miceala Marie (2014) The Art of Madness. Senior thesis (Major), California Institute of Technology. http://resolver.caltech.edu/CaltechTHESIS:05222014-111111602 <http://resolver.caltech.edu/CaltechTHESIS:05222014-111111602>

Relação

http://resolver.caltech.edu/CaltechTHESIS:05222014-111111602

http://thesis.library.caltech.edu/8256/

Tipo

Thesis

NonPeerReviewed