Editorial of "International Journal of Critical Indigenous Studies, Volume 8, Number 2, 2015"
Data(s) |
2015
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Resumo |
The articles in this edition address two critical concerns that can be broadly characterised as Indigeneity as a spectacle and the elision of Indigenous sovereignty by multiculturalism and diversity. The first article, by Maryrose Casey, examines nineteenth and early twentieth century Indigenous performances that drew on cultural practices for entertainment. She highlights how these commercially driven performances were, in fact, demonstrations of sovereignty that white colonisers paid to observe. A measure of the success of these demonstrations can be found in the reactions of audiences, which often involved disrupting the spectacle by physically occupying the performance space. |
Formato |
application/pdf |
Identificador | |
Publicador |
Indigenous Studies Research Network, Queensland University of Technology |
Relação |
http://eprints.qut.edu.au/93087/1/volume8_number2_15-IJCIS_Editorial.pdf http://www.isrn.qut.edu.au/publications/internationaljournal/documents/volume8_number2_15-IJCIS_Editorial.pdf Moreton-Robinson, Aileen, McMillan, Mark, & Singh, David (2015) Editorial of "International Journal of Critical Indigenous Studies, Volume 8, Number 2, 2015". International Journal of Critical Indigenous Studies, 8(2), p. 1. |
Direitos |
2015 International Journal of Critical Indigenous Studies |
Fonte |
Division of Research and Commercialisation; Indigenous Studies Research Network |
Palavras-Chave | #169902 Studies of Aboriginal and Torres Strait Islander Society #200201 Aboriginal and Torres Strait Islander Cultural Studies #indigeneity #sovereignty #multiculturalism #diversity #Maryrose Casey #Pei-Hsin Hsu #indigenous authenticity #tourism #Atayal Gaga #Noorie K Brantmeier #NAIS #nationhood #Lainie Schultz #human rights #recognition |
Tipo |
Journal Article |