Mapping the experiential in contemporary dance
Contribuinte(s) |
Stock, Cheryl F. |
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Data(s) |
01/12/2015
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Resumo |
The research questions how a ‘lived experience’ of contemporary dance could be deepened for the audience. It presents a series of choreographic ‘tools’ to create alternative frameworks of presentation that challenge the dominant modes of creation, presentation and meaning making in contemporary dance. The five tools established and applied in this research are: variations of site, liminality, audience agency, audience-performer proximity and performer qualities. These tools are framed as a series of calibrated scales that allow choreographers to map decisions made in the studio in relation to potential audience engagement. The research houses multiple presentation formats from the traditional to the avant-garde and opens up possibilities for analysis of a wide range of artistic dance works. This research presents options for choreographers to map how audiences experience their work and offers opportunities to engage audiences in new and exciting ways. |
Formato |
application/pdf |
Identificador | |
Publicador |
World Dance Alliance |
Relação |
http://eprints.qut.edu.au/89245/1/World%20Dance%20Alliance%20-Dyson%20peer%20reviewed%20paper%202015.pdf http://ausdance.org.au/articles/details/mapping-the-experiential-in-contemporary-dance Dyson, Clare (2015) Mapping the experiential in contemporary dance. In Stock, Cheryl F. (Ed.) Contemporising the past: envisaging the future: Refereed proceedings of the 2014 World Dance Alliance Global Summit, World Dance Alliance, Angers, France, pp. 1-14. |
Direitos |
© 2015, World Dance Alliance and Ausdance Copyrights for individual papers are held by the authors (© 2015, Clare Dyson). |
Fonte |
Dance; Creative Industries Faculty |
Palavras-Chave | #190403 Dance #Audience engagement #choreographic tools #Dance #choreographic practice #Audience participation |
Tipo |
Conference Paper |