Re-imagining legacy: A woman experimental filmmaker’s response to colonisation


Autoria(s): Casely-Hayford, Pauline D.
Data(s)

2015

Resumo

This practice-led research project analyses the creative and critical processes that occur when women visual artists respond to the legacy of colonisation. The research investigates the practices of selected visual artists, interrogates the candidate's creative practice, and analyses interview data. The creative practice component of the research analyses the critical and artistic strategies undertaken to produce an original set of six moving image artworks entitled Sankɔfa Dreaming. The creative practice develops an original artist method, Re-imagining Legacy. This method produces multivalent artworks that express a dynamic set of integrated critical standpoints on legacy and re-imaginings of history.

Formato

application/pdf

Identificador

http://eprints.qut.edu.au/84753/

Publicador

Queensland University of Technology

Relação

http://eprints.qut.edu.au/84753/1/Pauline_Casely-Hayford_Thesis.pdf

Casely-Hayford, Pauline D. (2015) Re-imagining legacy: A woman experimental filmmaker’s response to colonisation. PhD by Creative Works, Queensland University of Technology.

Fonte

Creative Industries Faculty; School of Media, Entertainment & Creative Arts

Palavras-Chave #legacy #Other #colonialism #women artists #re-imagining #moving image #experimental film #visual culture #film #visual art
Tipo

Thesis