The monadic environment : evoking emotion and memory in participatory performance
Data(s) |
2014
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Resumo |
This practice-led research project examined the audience experience of immersive environments in participatory performance. Drawing upon the work of artist Ilya Kabakov, Gaston Bachelard's Poetics of Space (1964) and Leibniz's theory of the monad, the study investigated how an immersive space can be constructed to evoke emotion and memory recall in participants. The research consisted of two cycles of creative experimentation resulting in the presentation of a final piece entitled Dulcet. The research contributes new terminology to the discourse surrounding the participant experience in immersive environments, specifically space-as-memory, the role of ambiguity in spatial design and the construct of the monadic environment. |
Formato |
application/pdf application/pdf video/mpeg |
Identificador | |
Publicador |
Queensland University of Technology |
Relação |
http://eprints.qut.edu.au/78684/2/Sarah%20Winter%20Exegesis.pdf http://eprints.qut.edu.au/78684/3/Sarah%20Winter%20Artist%20Book.pdf http://eprints.qut.edu.au/78684/4/Sarah%20Winter%20Dulcet%20Video.mpg Winter, Sarah J. (2014) The monadic environment : evoking emotion and memory in participatory performance. PhD by Creative Works, Queensland University of Technology. |
Fonte |
Creative Industries Faculty; School of Media, Entertainment & Creative Arts |
Palavras-Chave | #environment #monadic environment #monad #audience #audient #installation art #installed environment #immersive #performance #total installation |
Tipo |
Thesis |