Sans Faute
Data(s) |
13/09/2013
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Resumo |
Sans Faute (without fail) considers how technology has influenced Chinese society, culture and practice. The exhibition seeks to reveal a shared language between Western and Chinese contexts that exists through employing technology as a universal creative meeting point. The pervasive impact of the current digital landscape has been widely recognised, embraced and continues to influence many aspects of Chinese lives. The significance of these shifting contexts on contemporary art is explored in Sans Faute. Through the presentation of a range of video installations, the exhibition aims to initiate rigorous and critical engagement with these provocative works that challenge traditional ideologies to discover emergent ideas. Featuring works by eight artists from mainland China, Sans Faute is an exploration of different attitudes collected together to provide a complete picture of how these artists build a new iconic imagery. "The works of these artists present a younger generation's thinking of the reality of contemporary China through their own emotional and individual life experience," says Stephen Danzig, IDAprojects director. "We are currently witnessing an amazing re-identification in so many elements that make up China's social fabric - none more so than what's happening in the arts currently. You only need to see what's happening in Beijing to realise the pace of change." Sans Faute has been supported by QUT Confucius Institute. |
Formato |
application/pdf |
Identificador | |
Relação |
http://eprints.qut.edu.au/76099/1/SANS_FAUTE_Pages_2.pdf http://www.ciprecinct.qut.edu.au/archive/2013/sansfaute.jsp Danzig, Stephen, Albertini, Claudia, Thomas, Lubi, Foster, Alasdair, Parsons, Rachael, & Chen, Chaos Y. (2013) Sans Faute. [Textual Work] |
Direitos |
Copyright 2013 IDAprojects, Queensland University of Technology, QUT Confucius Institute |
Fonte |
Creative Industries Faculty; Institute for Creative Industries and Innovation |
Tipo |
Creative Work |