Acoustic, electric and virtual noise : the cultural identity of the guitar
Data(s) |
01/12/2006
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Resumo |
Guitar technology underwent significant changes in the 20th century in the move from acoustic to electric instruments. In the first part of the 21st century, the guitar continues to develop through its interaction with digital technologies. Such changes in guitar technology are usually grounded in what we might call the "cultural identity" of the instrument: that is, the various ways that the guitar is used to enact, influence and challenge sociocultural and musical discourses. Often, these different uses of the guitar can be seen to reflect a conflict between the changing concepts of "noise" and "musical sound." |
Formato |
application/pdf |
Identificador | |
Publicador |
M I T Press |
Relação |
http://eprints.qut.edu.au/69422/1/Carfoot_LMJ_Postprint.pdf http://www.mitpressjournals.org/doi/abs/10.1162/lmj.2006.16.35 DOI:10.1162/lmj.2006.16.35 Carfoot, Gavin (2006) Acoustic, electric and virtual noise : the cultural identity of the guitar. Leonardo Music Journal, 16, pp. 35-39. |
Direitos |
Copyright 2006 Massachusetts Institute of Technology |
Fonte |
Creative Industries Faculty; School of Media, Entertainment & Creative Arts |
Palavras-Chave | #190400 PERFORMING ARTS AND CREATIVE WRITING #music #Instrument Simulation #Music History #Musical Sound Sources #Acoustic guitars #Technological Influences #Cultural identity #Electric Guitar #Technological change #Guitars #Instrument Design #Cultural Influences #Musicology #Sound #Nostalgia |
Tipo |
Journal Article |