Open-ended art environments motivate participation
Contribuinte(s) |
Romão, Teresa Correia, Nuno Inami, Masahiko Kato, Hirokasu Prada, Rui Terada, Tsutomu Dias, Eduardo Chambel, Teresa |
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Data(s) |
2011
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Resumo |
In this research we observe the situated, embodied and playful interaction that participants engage in with open-ended interactive artworks. The larger project from which this work derives [28] contributes a methodological model for the evaluation of open-ended interactive artwork that treats each work individually and recognises the importance of the artist intent and the traditions from which the work derives. In this paper, we describe this evolving methodology for evaluating and understanding participation via three case studies of open-ended interactive art installations. This analysis builds an understanding of open-ended free-play non-narrative environments and the affordances these environments enable for participants. |
Identificador | |
Publicador |
ACM |
Relação |
http://dl.acm.org/citation.cfm?doid=2071423.2071479 DOI:10.1145/2071423.2071479 Morrison, Ann, Viller, Stephen, & Mitchell, Peta (2011) Open-ended art environments motivate participation. In Romão, Teresa, Correia, Nuno, Inami, Masahiko, Kato, Hirokasu, Prada, Rui, Terada, Tsutomu, et al. (Eds.) ACE 2011 : Proceedings of the 8th International Conference on Advances in Computer Entertainment Technology, ACM, Lisbon, Portugal, 45:1-45:8. |
Direitos |
Copyright 2011 ACM |
Fonte |
Creative Industries Faculty; School of Media, Entertainment & Creative Arts |
Palavras-Chave | #080602 Computer-Human Interaction #190504 Performance and Installation Art #Open-ended #Play #Interactive art #Ethnomethodology |
Tipo |
Conference Paper |