Toward a theory of the architectural subject
Contribuinte(s) |
Frichot, Hélène Loo, Stephen |
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Data(s) |
01/05/2013
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Resumo |
The extraordinary event, for Deleuze, is the object becoming subject – not in the manner of an abstract formulation, such as the substitution of one ideational representation for another but, rather, in the introduction of a vast, new, impersonal plane of subjectivity, populated by object processes and physical phenomena that in Deleuze’s discovery will be shown to constitute their own subjectivities. Deleuze’s polemic of subjectivity (the refusal of the Cartesian subject and the transcendental ego of Husserl) – long attempted by other thinkers – is unique precisely because it heralds the dawning of a new species of objecthood that will qualify as its own peculiar subjectivity. A survey of Deleuze’s early work on subjectivity, Empirisme et subjectivité (Deleuze 1953), Le Bergsonisme (Deleuze 1968), and Logique du sens (Deleuze 1969), brings the architectural reader into a peculiar confrontation with what Deleuze calls the ‘new transcendental field’, the field of subjectproducing effects, which for the philosopher takes the place of both the classical and modern subject. Deleuze’s theory of consciousness and perception is premised on the critique of Husserlian phenomenology; and ipso facto his question is an architectural problematic, even if the name ‘architecture’ is not invoked... |
Formato |
application/pdf |
Identificador | |
Publicador |
Edinburgh University Press |
Relação |
http://eprints.qut.edu.au/55908/2/55909.pdf http://www.euppublishing.com/book/9780748674640 Brott, Simone (2013) Toward a theory of the architectural subject. In Frichot, Hélène & Loo, Stephen (Eds.) Deleuze and Architecture. Edinburgh University Press, Edinburgh. |
Direitos |
Edinburgh University Press Ltd 2013 Copyright editorial matter and organisation Helene Frichot and Stephen Loo, 2013 Copyright the chapter their several authors The right of the contributors to be author of this work has been asserted in accordance with the Copyright, Designs, and Patents Act, 1988. |
Fonte |
School of Design; Creative Industries Faculty |
Palavras-Chave | #120000 BUILT ENVIRONMENT AND DESIGN #120100 ARCHITECTURE #120103 Architectural History and Theory #Architectural History #Theory #Criticism |
Tipo |
Book Chapter |