The role of markup in the digital humanities


Autoria(s): Schmidt, Desmond
Data(s)

2012

Resumo

The digital humanities are growing rapidly in response to a rise in Internet use. What humanists mostly work on, and which forms much of the contents of our growing repositories, are digital surrogates of originally analog artefacts. But is the data model upon which many of those surrogates are based – embedded markup – adequate for the task? Or does it in fact inhibit reusability and flexibility? To enhance interoperability of resources and tools, some changes to the standard markup model are needed. Markup could be removed from the text and stored in standoff form. The versions of which many cultural heritage texts are composed could also be represented externally, and computed automatically. These changes would not disrupt existing data representations, which could be imported without significant data loss. They would also enhance automation and ease the increasing burden on the modern digital humanist.

Identificador

http://eprints.qut.edu.au/52648/

Publicador

Center for Historical Social Research (GESIS - Leibniz-Institut fuer Sozialwissenschaften in Koeln)

Relação

http://www.zhsf.uni-koeln.de/edition.htm

Schmidt, Desmond (2012) The role of markup in the digital humanities. Historical Social Research, 37(3), pp. 125-146.

Direitos

GESIS – Leibniz-Institut für Sozialwissenschaften in Köln

Das Copyright für veröffentlichte, von GESIS selbst erstellte Objekte bleibt allein bei GESIS. Eine Vervielfältigung oder Verwendung solcher Grafiken, Tondokumente, Videosequenzen und Texte in anderen elektronischen oder gedruckten Publikationen ist ohne ausdrückliche Zustimmung von GESIS nicht gestattet.

Fonte

Information Security Institute; Science & Engineering Faculty

Palavras-Chave #080404 Markup Languages #200102 Communication Technology and Digital Media Studies #standoff markup #textual variation #cultural heritage texts
Tipo

Journal Article