The story of the sixties...a pile-up on the freeway of advanced art


Autoria(s): McNamara, Andrew E.; Stephen, Ann
Contribuinte(s)

Anderson, Jaynie

Data(s)

2011

Resumo

When does 1960s art begin and end? Certainly, aside from a few affinities, the decade’s artistic output does not exactly correspond to its popular conception as the ‘Swinging Sixties’. While it was rare that psychedelic art was truly challenging, the decade saw a number of perceptions change regarding the aims, boundaries and possibilities of experiencing art. Thus, this era has come to represent a watershed or crisis in modernist art. While in the Australian context many of these nascent trends were properly realised in the 1970s – with the full force and impact of post-object art – other challenges were first articulated in the 1950s. So, like any other demarcation of a decade, its limits and boundaries are porous.

Identificador

http://eprints.qut.edu.au/49866/

Publicador

Cambridge University Press

Relação

http://www.cambridge.org/aus/catalogue/catalogue.asp?isbn=9781107601581

McNamara, Andrew E. & Stephen, Ann (2011) The story of the sixties...a pile-up on the freeway of advanced art. In Anderson, Jaynie (Ed.) The Cambridge Companion to Australian Art. Cambridge University Press, Melbourne, VIC, pp. 168-179.

Fonte

Creative Industries Faculty; School of Media, Entertainment & Creative Arts

Palavras-Chave #190100 ART THEORY AND CRITICISM #190500 VISUAL ARTS AND CRAFTS #Art history #Visual Arts #Australian studies
Tipo

Book Chapter