Evolutionary morphing for music composition


Autoria(s): Brown, Andrew R.; Wooller, Rene; Miranda, Eduardo
Contribuinte(s)

Miranda, Eduardo

Data(s)

2011

Resumo

From one view of composition—let us call it the inspired or “Mozartian” view—musical compositions arrive fully formed in the mind of the composer and simply require transcription. In reality, however, it seems that very few people are so inspired, and composition is often more akin to a gradual clarification and refinement of partially formed ideas on the musical landscape. Particular landmarks in the compositional landscape tend to become clear before others, such that the incomplete piece is a patchwork of disconnected musical islands. An interactive evolutionary morphing system may provide some assistance for composers, to help build bridges between musical islands by generating hybrid musical transitions.

Formato

application/pdf

Identificador

http://eprints.qut.edu.au/47334/

Publicador

A-R Editions

Relação

http://eprints.qut.edu.au/47334/1/Brown_et_al_2011_Chapter_7_Evolutionary_Morphing_for_Music_Composition.pdf

https://www.areditions.com/cmdas/DAS24/cmdas024.html

Brown, Andrew R., Wooller, Rene, & Miranda, Eduardo (2011) Evolutionary morphing for music composition. In Miranda, Eduardo (Ed.) A-Life for Music : Music and Computer Models of Living Systems. A-R Editions, Middleton, Wis, pp. 115-132.

Direitos

Copyright 2011 A-R Editions

Fonte

Creative Industries Faculty

Palavras-Chave #190406 Music Composition #Algorithmic Music #Music Composition #Artifical Life
Tipo

Book Chapter