Defining synthesizer teaching
Contribuinte(s) |
Lee, Helen Barrett, Margaret |
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Data(s) |
1995
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Resumo |
The synthesizer has come a long way since wendy Carlos' 'Switched On Bach'. Unfortunately many would not realise it. Synthesizers are in most of the popular and commercial music we hear, and their development has followed the rapid development of computing technology, allowing sugnificant perfromance leaps every five years. In the last 10 years or so, the physical interface of synthesizers has changed little even while the sound generating hardware has raced ahead. The stabilisation of gestural controller, particularly keyboard-based controllers, has enabled tje synthesizer to establish itself as an expressive instrument and one worthy of the hours of practice required on any instrument to reach a high level of proficiency. It is now time for the instrumental study of synthesizer to be taken seriously by music educators across Australia, and I hope, through this paper, to shed some light on the path forward. |
Formato |
application/pdf |
Identificador | |
Publicador |
Australian Society for Music Education |
Relação |
http://eprints.qut.edu.au/42186/1/42186c.pdf http://www.asme.edu.au/ Brown, Andrew R. (1995) Defining synthesizer teaching. In Lee, Helen & Barrett, Margaret (Eds.) Honing the Craft : Improving the quality of music education, ASME 10th National Conference, 29 June - 2 July 1995, Hobart. |
Direitos |
Copyright 1995 Andrew Brown |
Fonte |
Creative Industries Faculty; Music & Sound |
Palavras-Chave | #080602 Computer-Human Interaction #130200 CURRICULUM AND PEDAGOGY #190407 Music Performance #synthesizer #performance #teaching |
Tipo |
Conference Paper |