Collaborative digital media performance with generative music systems


Autoria(s): Brown, Andrew R.; Dillon, Steven C.
Contribuinte(s)

McPherson, Gary E.

Welch, Graham F.

Data(s)

06/09/2012

Resumo

Music is inherently active and interactive. Like technologies before them, digital systems provide a range of enhanced music performance opportunities. In this paper we outline the educational advantages of ensemble performance in which generative media systems are integrated. As a concrete example, we focus on our work with the jam2jam system which uses generative music processes to enhance collaborative music making. We suggest that our research points toward a new class of activities that maintain the well established benefits of ensemble performance while adding cultural and pedagogical value by leveraging the capabilities and cachet of digital media practices.

Formato

application/pdf

Identificador

http://eprints.qut.edu.au/39064/

Publicador

Oxford University Press

Relação

http://eprints.qut.edu.au/39064/1/c39064.pdf

http://www.oup.com/us/catalog/general/subject/Music/MusicEducation/?view=usa&sf=toc&ci=9780199928019

Brown, Andrew R. & Dillon, Steven C. (2012) Collaborative digital media performance with generative music systems. In McPherson, Gary E. & Welch, Graham F. (Eds.) The Oxford Handbook of Music Education (Volume 2). Oxford University Press, New York, United States of America, pp. 549-566.

Direitos

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Fonte

Australasian CRC for Interaction Design (ACID); Creative Industries Faculty; Music & Sound

Palavras-Chave #130201 Creative Arts Media and Communication Curriculum and Pedagogy #generative music systems #ensemble performance #jam2jam system
Tipo

Book Chapter