IDOL
Data(s) |
18/06/2010
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Resumo |
Idol is a collaborative performance work for vocal performer and dancers. The work explores movement and sound relative to a vocal interface called the eMic (Extended Microphone Interface Controller). The eMic is a gestural controller designed by the composer for live vocal performance an real-time processing. The process for generating the work involves the choreographer being provided an opportunity to experiment with gestures ad movement relative to the eMic interface. The choreographer explored the interface as an object,a prop, an instrument and as an extension of the body. the movement was then videoed and the data coming from the sensors simultaneously recorded. The data and the video were then used as part of the compositional process, allowing the composer to see what the performance looks like and to experiment with mapping strategies using the captured sensor data. This approach represents a new compositional direction for working with the eMic, in that previously the compositional process commenced at the computer, building processing patches and assigning parameters to eMic sensors. In order to play the composition, the body needed to adapt to 'playing' the instrument. This approach treats the eMic like a traditional instrument that requires the human body to develop a command over the instrument. Working with the movement as a starting point inverts the process using choreographic gestures as the basis for musical structures. |
Formato |
application/pdf video/quicktime |
Identificador | |
Relação |
http://eprints.qut.edu.au/38555/1/nime_prog_compiled.pdf http://eprints.qut.edu.au/38555/2/Emic_Full_Edit_Master-H.264_800Kbps%282%29.mov http://www.youtube.com/watch?v=MrvokYE1Y04 Hewitt, Donna G. & Huddy, Avril (2010) IDOL. [Performance] |
Direitos |
Copyright Donna Hewitt 2010 |
Fonte |
Dance; Creative Industries Faculty; Music & Sound |
Palavras-Chave | #190400 PERFORMING ARTS AND CREATIVE WRITING #eMic #voice #electronics #performance #gestural |
Tipo |
Creative Work |