A política do sintoma e a construção do caso clínico: modos de transmissão da psicanálise na prática coletiva em saúde mental

Esta pesquisa apresenta o tema da transmissão da política analítica do sintoma e sua relevância no atual cenário das pesquisas e métodos clínicos que se aplicam ao campo da saúde mental. O tema é discutido com base na aplicação do método da Construção do Caso Clínico explorado como um instrumento de avaliação da condução clínica de uma equipe que inclui a singularidade do sintoma na leitura coletiva dos casos. A construção do caso é apresentada como um método de pesquisa clínica em psicanálise que permite acompanhar e avaliar um processo de tratamento a partir da formalização de elementos extraídos das narrativas e dos registros de casos acompanhados nos serviços de saúde mental. A discussão diagnóstica, a expressão singular dos sintomas, a relação transferencial, as demandas e os diversos momentos de um tratamento são elementos metodológicos da construção do caso que orientam o trabalho em equipe. A partir desses elementos é possível extrair uma lógica singular do sintoma em cada caso, sendo este um modo de contribuição da psicanálise na prática coletiva. Nessa perspectiva, o método da Construção do Caso Clínico favorece a transmissão da política da psicanálise e seus princípios clínicos ao campo da saúde mental.

Une typologie tridimensionnelle des pratiques de consommation d’alcool au Canada : usages, contextes et motivations de boire

Cette thèse de doctorat a pour objectif de développer une typologie socioculturelle de la consommation d’alcool à partir des mesures d’usages, de contextes et de motivations à boire pour approfondir notre connaissance sur les pratiques collectives de boire au Canada et d’explorer la variabilité des pratiques selon les caractérisations sociodémographiques et socioéconomiques des buveurs . Partant du constat des limites conceptuelles des modèles typologiques développés en alcoologie qui ne permettent pas d’observer toute la complexité des pratiques du boire dans une société puisqu’ils sont construits principalement à partir de l’usage, cette thèse propose de conceptualiser les pratiques de boire comme l’interface de l’usage, des contextes de consommation et des motivations à consommer. Les données utilisées proviennent de l’enquête GENder, Alcohol, and Culture: an international study – Canada. Uniquement les buveurs réguliers (consommant au moins une fois par mois) ont été retenus dans le cadre de cette thèse. Des analyses de correspondances et des analyses de classes latentes ont permis de dériver des typologies tridimensionnelles des pratiques de boire et de les associer à des caractéristiques sociales. Les résultats de recherche sont présentés en trois articles scientifiques qui répondent chacun à un objectif spécifique de la thèse. Le premier article présente une classification des buveurs réguliers canadiens en six grands types et établit le lien entre ces types et le genre ainsi que le groupe d’âge. Le deuxième article teste l’invariance de la typologie selon le genre et propose des classifications distinctes pour les femmes et pour les hommes en lien avec le groupe d’âge et le niveau d’éducation. Le troisième article se concentre sur les buveurs réguliers en emploi et examine l’association entre la position socioprofessionnelle dans la hiérarchie sociale et les pratiques de boire.

Deconstructing diversity discourses in the fields of educationnal management and leadership

Discourses of diversity have supplanted those of equal opportunity or social justice in many Western democratic societies. While the notion of diversity is seemingly empowering through its recognition of cultural, religious, racial and gender difference within nation states, the emergence of this discourse during the 1990s has been in the context of neoliberal managerialist discourses that assume social action is fully explicable through theories of maximizing self interest. Thus notions of diversity, while originating in collective demands of social movements of feminism, anti racism and multiculturalism of the 1970s and 1980s, have in recent times privileged learning and leadership as an individual accomplishment and not a collective practice. Thus the dominant discourse of diversity is more in alignment with the deregulatory aspects of the increasingly managerial and market orientation of schooling, decentring earlier discourses of more transformatory notions premised upon reducing inequality and discrimination and developing ‘inclusivity’ in and through schooling. This paper provides a contextual and conceptual framework through which to explore the intersections and divergences of discourses of diversity in schools and their practical application.

Women clinical nurses' constructions of collegiality : an ethnomethodological study

This research is about a shared journey of being together. It involved thirteen women nurses (including myself) in a process approach to working with data collected through audio transcriptions of conversations during group get-togethers, field notes and journalling over twelve months. The project was conducted in a large acute care metropolitan hospital where the ward staff interests lie in a practice history of the medical specialty of gynaecology and women's health. Prior to commencement ethical approval was gained from both the University and hospital ethics committees. Accessing the group was complicated by the political climate of the hospital, possibly exaggerated further by the health politics across the state of Victoria, at a time of major upheaval characterised by regionalism, rationalisation and debt servicing. In order to ascertain women clinical nurses' constructions of collegiality I adopted an ethnomethodological approach informed by a critical feminist lens to enable the participants to engage in a process of openly ideological inquiry, in critiquing and transforming practice. I felt the choice of methodology had to be consistent with my own ideological position to enable me to be myself (as much as I could) during the project. I wanted to work with women to illuminate the ways in which dominant ideologies had come to be apprehended, inscribed, embodied and/or resisted in the everyday intersubjective realities of participants. The research itself became a site of resistance as the group became aware of how and in what ways their lives had become distorted, while at the same time it collaboratively transformed their individual and collective practice understandings, enabling them to see the self and other anew. Set against the background of dominant discourses on collegiality, women's understandings of collegiality have remained a submerged discourse. Revealed in this work are complex inter-relationships that might be described by some as collegial!, but for others relations amongst these women depict alternative meanings in a rich picture of the fabric of ward life. The participants understand these relations through a connectedness that has empathy as its starting point. In keeping with my commitment to engage with these women I endeavoured to remain faithful to the dialogical approach to this inquiry. Moreover I have brought the voices of the women to the foreground, peeling away the rhizomatic interconnections in and between understandings. What this has meant in terms of the thesis is that the work has become artificially distanced for the purposes of academic requirements. Nevertheless it speaks to the understandings the participants have of their relationships; of the various locations of the visible and invisible voices; of the many landscapes and images, genealogies, subjectivities and multiple selves that inform the selves with(in) others and being-in-relation. Throughout the journey meanings are revealed, revisited and reconstructed. Many nuances comprise the subtexts illuminating the depths of various moral locations underpinning the ways these women engage with one another in practice. The process of the research weaves through multiple positions, conveying the centrality of shared goals, multiple identities, resistances and differences which contribute to a holding environment, a location in which women value one another in their being-in-relation and in which they stand separately yet together.

A formação inicial do professor de línguas no e para o contexto virtual e a construção de comunidades de prática

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Trabalhadoras e economia solidária na associação de mulheres do município de Igarapé-Miri/Asmim-Pará: da resistência à estratégia de desenvolvimento local

O presente estudo retrata a constituição da Associação de Mulheres do Município de Igarapé-Miri –ASMIM/Pará, como um espaço de lutas, resistências e associativismo de mulheres trabalhadoras. Visa contribuir com o debate acerca das conquistas de uma experiência prática coletiva, na construção do desenvolvimento local, em Igarapé-Miri. Para isso, procurou-se nesta pesquisa entender o cenário da economia solidária, bem como, as diferentes concepções que giram em torno dessa temática em interface com o desenvolvimento local, à medida que, se entende ambas, como estratégias importantes para a constituição da mulher enquanto um sujeito coletivo capaz de romper com a invisibilidade e empoderar-se, no sentido de se tornar protagonista de sua própria história. Ressaltou-se importantes momentos de lutas e resistências femininas em torno de igualdade de direitos, geração de renda e participação na vida pública. Nesse sentido, a ênfase das organizações e movimentos sociais aos quais essas mulheres estiveram/estão articuladas foi importante para compreender de que forma elas foram galgando seu espaço de representação política em nível local, regional e nacional, ou seja, demonstrando novas práticas sócio-econômicas e político-culturais em que se tornaram referências e alteram a realidade do seu papel na sociedade contemporânea. Por fim, realçou-se que essa construção em Igarapé-Miri foi/é de muitas lutas, e, por conseguinte, conflitos que se expressam em âmbito familiar e de trabalho evidenciando desigualdades existentes e, muitas vezes, escamoteadas. Esta pesquisa traz para o debate os princípios de economia solidária, enquanto ambiente propício ao empoderamento das mulheres, de estratégia para um desenvolvimento local e de visibilidade pública para essas mulheres.

Tensions in developing a secure collective information practice : the case of Agile Ridesharing

Many current HCI, social networking, ubiquitous computing, and context aware designs, in order for the design to function, have access to, or collect, significant personal information about the user. This raises concerns about privacy and security, in both the research community and main-stream media. From a practical perspective, in the social world, secrecy and security form an ongoing accomplishment rather than something that is set up and left alone. We explore how design can support privacy as practical action, and investigate the notion of collective information-practice of privacy and security concerns of participants of a mobile, social software for ride sharing. This paper contributes an understanding of HCI security and privacy tensions, discovered while “designing in use” using a Reflective, Agile, Iterative Design (RAID) method.

Handover : the collective narrative of nursing practice

This paper examines the practice of handover in a large metropolitan hospital. It shows that the handover is a significant site at which to examine how tensions and imperatives derived from the traditional institutional position and role of the nurse are played out in contradiction with emergent professionalism. It identifies handover dimensions and focuses discussion on how the collective narrative of the handover serves to construct patient identities as well as ensure solidarity and cohesion among nurses.

Student identities in a mathematical community of practice : radical visible pedagogy and the teacher collective

This study investigated the practices of two teachers in a school that was successful in enabling the mathematical learning of students in Years 1 and 2, including those from backgrounds associated with low mathematical achievement. The study explained how the practices of the teachers constituted a radical visible pedagogy that enabled equitable outcomes. The study also showed that teachers’ practices have collective power to shape students’ mathematical identities. The role of the principal in the school was pivotal because she structured curriculum delivery so that students experienced the distinct practices of both teachers.

Transmedia Practice : A Collective Approach

This volume introduces a collective approach that positions transmedia as a dynamic phenomenon which undergoes constant innovation as it absorbs current trends and advances in its constituent disciplines. The first section, 'Sustaining Future Practices', explores emerging models for defining stakeholder needs, understanding resource requirements and measuring the value and success of transmedia productions. The focus then shifts to 'Intersecting Contexts of Transmedia Practices', which uses the juxtaposition of a diverse collection of case studies to transcend not only the debates about how to define transmedia, but also the professional and disciplinary boundaries that impose artificial constraints upon the way transmedia projects are approached and understood. This inter-disciplinary dialogue aims to promote an ongoing conversation on the challenges and opportunities associated with sustaining this vital creative industry.

How small business advisory program delivery methods (collective learning, tailored, and practice-based approaches) affect learning and innovation

Past studies relate small business advisory program effectiveness to advisory characteristics such as advisory intensity and scope. We contribute to existing literature by seeking to identify the impact of different advisory program methods of delivery on learning and subsequent firm innovation behavior. Our research is based on a survey of 257 Australian firms completing small business advisory programs in the three years preceding the research. We explore the range of small business advisory program delivery methods in which our surveyed firms participated and, with reference to the literature on organizational learning and innovation, we analyze predictors of firms' learning ability and innovativeness based on the identified delivery methods. First, we found that business advisory programs that involved high levels of collective learning and tailored approaches enhanced firms' perceptions of their learning of critical skills or capabilities. We also found that small business advisory programs that were delivered by using practice-based approaches enhanced firms' subsequent organizational innovation. We verified this finding by testing whether firms that have participated in small business advisory services subsequently demonstrate improved behavior in terms of organizational innovativeness, when compared with matched firms that have not participated in an advisory program.

The individual and collective effect of U.S. colonialism in Puerto Rico : a scale construction and validation, with implications for social work education and practice.

Tesis (Doctor en Filosofía con Orientación en Trabajo Social y Políticas Comparadas de Bienestar Social) UANL, 2011.

Documentary practice in a participatory culture

Debates concerning the veracity, ethics and politics of the documentary form circle endlessly around the function of those who participate in it, and the meaning attributed to their participation. Great significance is attached to the way that documentary filmmakers do or do not participate in the world they seek to represent, just as great significance is attached to those subjects whose participation extends beyond playing the part of eyewitness or expert, such that they become part of the very filmmaking process itself. This Ph.D. explores the interface between documentary practice and participatory culture by looking at how their practices, discursive fields and histories intersect, but also by looking at how participating in one might mean participating in the other. In short, the research is an examination of participatory culture through the lens of documentary practice and documentary criticism. In the process, however, this examination of participatory culture will in turn shed light on documentary thinking, especially the meaning and function of ‘the participant’ in contemporary documentary practice. A number of ways of conceiving of participation in documentary practice are discussed in this research, but one of the ideas that gives purpose to that investigation is the notion that the participant in contemporary documentary practice is someone who belongs to a participatory culture in particular. Not only does this mean that those subjects who play a part in a documentary are already informed by their engagement with a range of everyday media practices before the documentary apparatus arrives, the audience for such films are similarly informed and engaged. This audience have their own expectations about how they should be addressed by media producers in general, a fact that feeds back into their expectations about participatory approaches to documentary practice too. It is the ambition of this research to get closer to understanding the relationship between participants in the audience, in documentary and ancillary media texts, as well as behind the camera, and to think about how these relationships constitute a context for the production and reception of documentary films, but also how this context might provide a model for thinking about participatory culture itself. One way that documentary practice and participatory culture converge in this research is in the kind of participatory documentary that I call the ‘Camera Movie’, a narrow mode of documentary filmmaking that appeals directly to contemporary audiences’ desires for innovation and participation, something that is achieved in this case by giving documentary subjects control of the camera. If there is a certain inevitability about this research having to contend with the notion of the ‘participatory documentary’, the ‘participatory camera’ also emerges strongly in this context, especially as a conduit between producer and consumer. Making up the creative component of this research are two documentaries about the reality television event Band In A Bubble, and participatory media practices more broadly. The single-screen film, Hubbub , gives form to the collective intelligence and polyphonous voice of contemporary audiences who must be addressed and solicited in increasingly innovative ways. One More Like That is a split-screen, DVD-Video with alternate audio channels selected by a user who thereby chooses who listens and who speaks in the ongoing conversation between media producers and media consumers. It should be clear from the description above that my own practice does not extend to highly interactive, multi-authored or web-enabled practices, nor the distributed practices one might associate with social media and online collaboration. Mine is fundamentally a single authored, documentary video practice that seeks to analyse and represent participatory culture on screen, and for this reason the Ph.D. refrains from a sustained discussion of the kinds of collaborative practices listed above. This is not to say that such practices don’t also represent an important intersection of documentary practice and participatory culture, they simply represent a different point of intersection. Being practice-led, this research takes its procedural cues from the nature of the practice itself, and sketches parameters that are most enabling of the idea that the practice sets the terms of its own investigation.