Composição química da folha e do caule de Calamintha baetica

A área das plantas aromáticas e medicinais teve uma dinâmica de crescimento notável nos últimos anos incentivada pela procura de novos produtos bioativos mas também como fonte de nutrientes. O género Calamintha pertence à família Lamiaceae e em Portugal o seu uso está intrinsecamente associado às suas propriedades aromáticas, condimentares, ornamentais ou medicinais, tendo como exemplos a Salvia (salva), Ocimum (manjericão), Origanum (orégão), Mentha (hortelã), Romarinus (alecrim), Melissa (erva cidreira) e Calamintha (erva-das-azeitonas). A espécie da planta Calamintha baetica Boiss et Heldr encontra-se largamente distribuída pela região do Mediterrâneo e é considerada uma espécie pioneira colonizadora, principalmente de prados secos; de berma dos caminhos rurais, de terrenos selvagens na orla dos pinhais. As folhas produzem um aroma agradável, entre hortelã e orégãos, sendo muito apreciadas para temperos na cozinha e para fazer infusões. Em alguns lugares é usada para temperar azeitona e talvez por isso seja também conhecida por erva-das-azeitonas, mas também é designada por nêveda ou calaminta. Neste trabalho pretende-se caracterizar a folha e o caule da espécie C. baetica no que respeita à sua composição química. Para o efeito quantificaram-se os seguintes parâmetros: humidade, cinzas, gordura, proteínas, hidratos de carbono e valor energético e também se estudou o perfil em ácidos gordos por cromatografia gasosa acoplada a um detetor de ionização de chama (GC/FID). A amostra de folha de C. baetica revelou uma maior percentagem em proteína, com 11,81% (m.s.) e o caule em hidratos de carbono, com 20,54%. No que respeita a teores em gordura, a amostra de folha evidenciou valores ligeiramente superiores (3,30%, m.s.) aos do caule (1,13%, m.s.). A análise por cromatografia gasosa permitiu identificar três ácidos gordos maioritários (% relativas), entre os quais os polinsaturados α-linolénico, com 69,11% e 44,93% e o linoleico com 10,03% e 23,83% e ainda o saturado palmítico, com 11,55% e 17,09% para a amostra de folha e caule, respetivamente.

Serratula baetica Boiss. subsp. lusitanica (Asteraceae) subsp. nova

Se describe un nuevo taxon para Portugal: Serratula baetica Boiss. subsp. lusitanica Cantó, subsp. nova.

Fantasia baetica, for piano.

Pl. no. J. & W. C. 2096.

Biomarker evaluation and toxicological study of essential oils of Foeniculum vulgare and Calamintha nepeta

The aim of this study was to evaluate the toxicological properties of EOs of F. vulgare and C. nepeta, widespread in Mediterranean agrosilvopastoral systems and often used as food condiments in Alentejo. EOs were obtained from aerial part of plants by hydrodistillation and chemical composition was evaluated by GC-FID. Toxicity of essential oils was evaluated by the estimation of LC50 in brine shrimp and LD50 in mice. Oral toxicity assays were performed in mice. Histological analyses and quantification of biomarkers aspartate aminotransferase (AST), alanine aminotransferase (ALT), alkaline phosphatase (ALP), gamma glutamyltransferase (γ-GT), bilirubin, creatinine and urea were performed for monitoring liver and kidney functions. the EOs of C. nepeta and F. vulgare showed very low toxicity suggesting their potential use as food supplement. Additionally, our studies point out the importance of the integration of C. nepeta and F. vugare in silvopastoral agroforestry systems, contributing to the animal health and profitability of livestock.

Seasonal variation, Chemical composition and antioxidante and antimicrobial proprieties of Calamintha nepeta

The aim of this study is to evaluate the chemical composition and the antioxidant and antimicrobial activities of EOs of C. nepeta collected in two different seasons, spring (leaves) and autumn (leaves and flowers) and to understand the relationship between seasonality composition and these biological activities. EOs were extracted by hydrodistillation of aerial parts of the plants wild grown in Évora (Alentejo) and their chemical composition was evaluated by GC-FID and GC-MS. Antioxidant activity was determined by β -carotene/linoleic acid system, total reducing power assay and DPPH radical methods [1]. Antimicrobial activity was assessed against Gram-negative and Gram-positive clinical isolates and food spoilage fungi [2,3].

COMPOSITIONS FEATURING THE PIANO IN FANTASY FORM: 1820-1920

The Fantasy form offered a composer the freedom to create a work without concerns for fitting into the current stylistic and traditional structures. The flowering of the form seems to be concentrated from 1820-1920 since the composer started to use it as a way to convey a personal idea or to portray a special spirit. This dissertation is comprised of three recitals with fantasies in different genres and styles. Through performing these diverse fantasies, I have been inspired to connect with the imagery and spirit of the compositions in order to capture the unique sentiments of each piece. Also, in order to keep the audience absorbed in the music that is without structure, I have focused on expanding my technical abilities to vary color, sonority, and phrasing. Program one (April 26,2004) includes Fantasie, Op. 17 and Piano Concerto, Op. 54 (assisted by Ya-Hsin Wu) by R. Schumann. Program two (December 10, 2004) includes Three Fantastic Dances, Op. 5 by D. Shostakovitch, Fantasy "Sonataecossaise ", Op. 28 by F. Mendelssohn, Sonata No.2 "Sonata-Fantasy", Op. 19 by A. Scriabin and Fantasie for Piano and Violin, D 934 by F. Schubert with violinist, TaoChang Yu. The last program (November 1, 2005) includes Fantasia baetica by E. de Falla, Morceaux de Fantaisie, Op. 3 by S. Rachrnaninoff, Fantaisie, Op. 49, Impromptu No. 4 '%h.ntasy-hpromptu", Op. 66 and Polonaise-Fantaisie, Op. 61 by F. Chopin.

THE PIANO FANTASY FROM BACH TO DANIELPOUR

The Fantasy, as the term suggests, is a genre that composers have found congenial for exploring innovative and imaginative processes. Works in this genre are numerous in the solo piano literature, and extend even to works for piano and orchestra and to chamber music with piano. I was curious to explore how a specific genre of music maintained similar characteristics but evolved over time. A fantasy is primed to be inventive and I wanted to see how composers from different eras and backgrounds would handle their material in this genre. I have learned that composers worked through formal developments while making innovations within this genre. The heart of my dissertation is presented through the recording project. Because ofthe abundance ofpiano fantasies, many works had to be excluded from this project for time's sake. On two compact discs, I have recorded approximately two hours of solo piano music. I have included some shorter fantasies to magnify significant developments from era to era, country to country, and composer to composer. The first disc has recordings of eighteenth and nineteenth-century fantasies: Chromatic Fantasy and Fugue, BWV 903 by J.S. Bach (1685-1750); Fantasia inC major, H. XVII, 4 by Franz Joseph Haydn (1732-1809); Fantasy inc minor, K. 475 by Wolfgang Amadeus Mozart (1756- 1791); Fantasia inf-sharp minor, Op. 28 by Felix Mendelssohn (1809-1847); and Polonaise-Fantaisie in A-flat major, Op. 61 by Frederic Chopin (1810-1849). On the second disc I have included mid-19th, 20th and 2151-century piano fantasies: Fantasy and Fugue on the Theme B-A-C-H by Franz Liszt (1811-1886); Fantasia Baetica by Manuel de Falla (1876-1946); Three Fantasies by William Bergsma (1921-1994); Fantasy, Aria and Fugue by Frederic Goossen (1927-2011); and Piano Fantasy ("Wenn ich einmal sol! scheiden") by Richard Danielpour (b. 1956). The accompanying document includes program notes for each of the pieces recorded. They were recorded on a Steinway "D" in Dekelboum Concert Hall at the University of Maryland by Antonino D'Urzo ofOpusrite Productions. This document is available in the Digital Repository at the University of Maryland and the CO's are available through the Library System at the University of Maryland.

Reality Shows in Chile, origin and road map. Historical-Communication Dialogues

Reality shows are TV programs which represent a format used in television nowadays; however, the observation practices of individual and/or group intimacy dates from thousands years ago. Sometimes this was driven by voyeurism or morbid fascination, some others, by the purpose of guarding, supervising and maintaining status quo. This work offers an alternative answer to the explanation of this type of TV program emergence and relates this appearance to a government procedure bound up with modern State terrorism which began at the end of the eighteenth century and has been recalled by different regimes until present days.

Estudo de plantas silvestres comestíveis da região mediterrânica como fontes de compostos bioativos

Dissertação de mestrado, Engenharia Biológica, Faculdade de Ciências e Tecnologia, Universidade do Algarve, 2015

“El florecimiento del terrorismo islámico en el Sahel, un reto para la seguridad de Europa Occidental. Estudio de caso: Malí y España (2011- 2013)”

El objetivo central de este Estudio de Caso, consiste en investigar en qué sentido la proximidad geográfica y el hecho de que la región del Sahel constituya una zona de tránsito, influyen a que el crecimiento del terrorismo islámico en Malí comprenda una amenaza tanto para la seguridad nacional, como para la estabilidad de España. Se avanzará posteriormente con la descripción de herramientas específicas, tanto judiciales como de cooperación que el gobierno español ha buscado apoyar a nivel global y local, con el fin de repeler los desafíos que se generan como consecuencia del terrorismo; especial énfasis se hará, en aquellas medidas que este Estado europeo ha implementado con el propósito de enfrentar particularmente las amenazas que se generan hacia su territorio como resultado de la crisis terrorista en Malí.

Literae annuae Societatis Iesu duorum anni 1606. 1607. & 1608 datae de more ex prouinciis ad R.P.N. Generalem praepositum, eiusdemq' authoritate typis expressae.

La portada coincide con otras obras, pero el contenido es diferente (CCPB)

CIL 2.1087 – Dedication

Photograph

CIL 2.1119 – Fragment of a dedication for L. Mummius

Photograph and translation