Foucault e a arte do cuidado de si: uma nova possibilidade de Discussão para a formação continuada de professores de língua inglesa

This thesis proposes a new thinking on the English teacher and their continuing education, leaving the picture emerging of a new professional, who is producing and being produced. From this perspective, I present an analysis of self writing of thirteen student-teachers, teachers on how they position themselves to be discursively constituted as subjects in the context of continuing education. As part of Applied Linguistics, the theory and method that supports the analysis of data are articulate key elements of Foucault notions, namely:The care of the self, seeking their connection with one another and care of and the self writing. In the theoretical notions of these elements are implied notions of others, such as speech, ethics, technology of the self, subject and truth. (Foucault, 1984, 1995, 2004c, 2006), and questioning the ethics of the subject. I propose to examine selected excerpts from the self writings of student teachers with a specialization in Teaching and Learning the English Language, seeking linguistic processes in the material production of subjectivities.In order to analyze the process of subjectivation, I examine the discursive statements of selected cuts, aiming to learn more specifically, the points of identification and fragments of the uniqueness of the teachers, showing how they care for themselves and reflect upon them in building their subjectivity from the technologies of the self, to occupy the position of English Language teachers. The results show that, in the exercise of self writing, the subject falls, and a practice of asceticism, discursively construct her/his subjectivity

Microfilme: literatura e mídia no correio feminino de Clarice Lispector

Conselho Nacional de Desenvolvimento Científico e Tecnológico

A esfera como metáfora: representações do futebol no campo da literatura (leituras do tema no conto de ficção)

Football, understood as a phenomenon of sports practice and nearly universal coverage, can also be seen as a game whose operation circumvents the cultural universe of people who practice it. Much more than just a sport, so this game is a cultural phenomenon par excellence, bearing a communicational and aesthetic dimension whose occurrence has been spotted in various fields of scientific and cultural. Therefore, it is as game and as a phenomenon of culture, we intend to focus on football here as an object of study. Our aim is to investigate the sport in Brazil taking the Literature and Journalism as privileged instances of their representation in the media. Thus, the central idea of this research is to show when and how football has become a recurrent theme in Brazilian literature, starting with its journalistic approach until we get an overview of the aesthetic representation of the game, Literature as the main focus of attention and taking the genre of fiction story as material fact of their representation. With this approach, we intend to develop an overall view, overview of the literature about football in our country and at the same time, particularize this vision in some representative authors of it, like the writer-journalist Mario Filho (the historian, essayist on the modernization of chronic specific theme), José Lins do Rego (writer passionate about the game), Nelson Rodrigues (the esthetician that elevated the sport to the status of art by chronic), Lima Barreto (who along with Antonio de Alcantara Machado pioneered the formalized within the fiction) and the storytellers of the topic itself. In the end, we intend to infer the results of evaluations and reviews of books and authors listed, we have examined a wide sense, but also vertical (and which were focused on a socio-historical perspective and critical-aesthetic) within the assumption that seems be a homology between the way football practice amongst us will historically winning characteristics as to form a Brazilian school of football, and how our writers, journalists will be addressing the topic, which also would focus on creating a "Brazilian way" of telling literary football. The proof of this hypothesis operational work together with the development of historiography and the necessity arising from it, creating a "Guide to Reading football theme in fictional tale of Brazil" shut the focal perspective of this study

Referências culturais e heterogeneidade discursiva :Uma proposta para o ensino-aprendizagem de língua inglesa

The purpose of this research is to approach the English literary text from the point of view of the culture and the heterogeneity of discourse in its role as a source of elements that facilitate the teaching/learning process of English as a foreign language. Several instances of discourse heterogeneity are analyzed through cultural references in the original texts of the following English novels: Jane Eyre, by Charlotte Brontë (1816-1855), published in 1847; The Mill on the Floss, by George Eliot (1819-1890), published in 1860 and Great Expectations, by Charles Dickens (1812-1870), published between 1860 and 1861. Theoretical support was sought in Kramsch, Bakhtin, Maingueneau, Authier-Revuz, Widdowson and Larsen-Freeman. Activities in English are proposed in the end whereby it can be seen that the questions at issue can be used extensively in the classroom.

Memórias Póstumas de Brás Cubas e a Consciência de Zeno: representações históricas das sociedades brasileira e italiana

Pós-graduação em Letras - IBILCE

Cosmopolitismo e literatura em Ferreira de Castro: imagens do Brasil e de Portugal nos romances de um português incompreendido

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Quem mexeu no meu texto? observações sobre literatura e sua adaptação para outros suportes textuais

The development in recent years of different media formats has boosted the consumption of narratives, generating a ‘narrative hunger’. Audiences have increasingly looked forward to absorb new and old narratives, and ‘adaptation’ has become a key operational concept to describe processes involved in the transformation of texts. Thus, our discussion will be centered around a few theoretical propositions on adaptation and appropriation in various textual architectures. Although relevant to the debate, literary canonical texts will not be the primary focus. Non-canonical texts will be used to re-visit concepts such as narrativization, intertextuality and transmediality and also to elaborate some ideas on interactivity and multimedia crossover.

A leitura da literatura e os dias

Plato’s philosophy and the Aristotle’s poetics have settled the postulates for a theoretical thought on the production process and the reading of fiction. The specialization of the knowledge areas into disciplines has provided multiple readings for the literary. A tension among literary and social theories goes through the horizon of reading from the literary and immediate reality, and today presents itself as literature production and reading guiding possibilities.

Silêncio e diálogo na poesia brasileira

This essay aims to contribute to a critical assessment of contemporary Brazilian poetry, investigating the relationship between two tendencies: minimalism that verges on silence of speech in Kléber Mantovani’s and Tarso de Melo’s poetry, and the dialogue with the tradition in Armando Freitas Filho’s, Fabiano Calixto’s and Iacyr Anderson Freitas’s poetry.

A literatura juvenil na escola

Literature has always had a tense relationship with school. On the one hand, its educational function which is a feature of its own has motivated its insertion into curricula; on the other hand, its pedagogical use seems to defile its esthetical value. Such a paradox may be clearly observed in juvenile literature whose specificity has not always been acknowledged. To discuss the alleged specificity of that literary subgenre and its use in school, this essay compares the books A órbita dos caracóis (2003), by Reinaldo Moraes, and Se eu fechar os olhos agora (2009), by Edney Silverstre, which have in common their possible destination to the juvenile public, even though neither of them has been conceived of with that purpose in mind.

Os jogos do texto ou as facetas da escrita?: gênero policial, intertextualidade e literatura francesa em Bufo & Spallanzani (1985) de Rubem Fonseca

Pós-graduação em Letras - FCLAS

Literatura em rede nacional : Observaçoes sobre a adaptaçao da obra A Muralha para o meio audiovisual

O artigo tem como objeto de análise a adaptaçao da obra brasileira A Muralha, de Dinah Silveira de Queiroz. Encomendada à autora em homenagem ao IV Centenário da fundaçao da cidade de Sao Paulo (Brasil), a obra relata a violência vivida pelos primeiros habitantes da vila de Sao Paulo de Piratininga, no fim do século XVII. Romance histórico clássico, a obra é transposta para o meio audiovisual em comemoraçao aos 500 anos do Brasil, em 2000, com autoria de Maria Adelaide Amaral e direçao geral de Denise Saraceni e Carlos Araújo. Devido à extensao da minissérie - 49 capítulos -, foi escolhido para análise apenas o primeiro episódio, colocado em comparaçao ao início do primeiro capítulo do livro. Como embasamento teórico, o trabalho apóia-se nos fundamentos da literatura comparada e na teoria da adaptaçao desenvolvida por Robert Stam, da qual se optou pelos aspectos ligados às modificaçoes e permutas da história, personagens e contexto.

Literatura em rede nacional : Observaçoes sobre a adaptaçao da obra A Muralha para o meio audiovisual

O artigo tem como objeto de análise a adaptaçao da obra brasileira A Muralha, de Dinah Silveira de Queiroz. Encomendada à autora em homenagem ao IV Centenário da fundaçao da cidade de Sao Paulo (Brasil), a obra relata a violência vivida pelos primeiros habitantes da vila de Sao Paulo de Piratininga, no fim do século XVII. Romance histórico clássico, a obra é transposta para o meio audiovisual em comemoraçao aos 500 anos do Brasil, em 2000, com autoria de Maria Adelaide Amaral e direçao geral de Denise Saraceni e Carlos Araújo. Devido à extensao da minissérie - 49 capítulos -, foi escolhido para análise apenas o primeiro episódio, colocado em comparaçao ao início do primeiro capítulo do livro. Como embasamento teórico, o trabalho apóia-se nos fundamentos da literatura comparada e na teoria da adaptaçao desenvolvida por Robert Stam, da qual se optou pelos aspectos ligados às modificaçoes e permutas da história, personagens e contexto.