Feminine hero body project

Working within painting's conventions, yet breaking from the tradition of rendering the female form according to social codes, allows the affect of everyday experiences to enter the activity of painting. This enables reading and interpretation of artwork that is not confined to social or cultural stereotypes from which feminine identity is often formed.

Gendered service delivery : a masculine and feminine perspective on staff gender

Despite acknowledgement that paid caregivers have a significant impact on the lives of people with intellectual disability, the subjective experience of staff gender is rarely considered in research. Qualitative data from a study on the sexual health needs of men and boys with intellectual disability is presented. We designed this study to determine what impact staff gender has on the sexual health needs of men and boys with intellectual disability. Findings suggest that although staff traverse the same geographies of care, they do it in uniquely gendered ways. Staff gender is an important consideration when dealing with sexual health matters and can enhance the type and quality of relationships between people with intellectual disability.

Feminine Bravery: The Girl's Realm (1898–1915) and the Second Boer War

With the advent of the Second Boer War in 1899, The Girl’s Realm incorporated heroism within its production of English femininity by presenting images of wartime girlhood where girls understood their roles and responsibilities as supporters of the war effort. Nonetheless, the representations of feminine bravery in the magazine are complex and somewhat ambiguous. Although the magazine encourages heroism in a variety of forms, its contributors betray a tendency to fall back onto traditional domestic models of bravery. Thus the Boer War was pivotal in depictions of girls’ bravery, yet it also limited that bravery.

Re-visioning Australian social realism through a feminine lens

This research explores the unique ways in which female film practitioners in Australia are utilising social realist politics in examining the stories of women in marginalised spaces. The findings add to the much needed gravitas of the female voice in contemporary Australian film.

Governance, representation and the ‘monstrous regiment’: is the collective feminine?

Alternatives to the individualistic emphasis of liberal theory focus attention on collective dimensions of social life with implications for legal and political analysis of the state, of representation, and of international law. In this context, relationships between the individual–collective dichotomy and the dichotomy of gender demand attention because of the claimed affiliations of individualism with social understandings of masculinity.

Feminine freakishness: Carnivalesque bodies in Angela Carter’s nights at the circus

Angela Carter described herself as being in the “demythologisingbusiness” (“Notes”, 38) and in her 1984 novel Nights at the CircusCarter’s interrogative scope is both broad and complex. The wingedaerialiste Fevvers and the rag-bag of circus freaks with whom shejourneys evoke the Rabelaisian carnivalesque that Bakhtin cites as apowerful challenge to the spatial, temporal, and linguistic fixities of themedieval world. The transformative and regenerative potential ofRabelais’ grotesque is evident in Nights' temporal setting, whichforegrounds the possibilities of birth through death. Set at the “fagend” of the nineteenth century (19), the characters are witness tohistory on the cusp as “[t]he old dying world gives birth to the newone” (Bakhtin, 435). Here Carter has shifted the point of historicalregeneration from Rabelais’ subversion of the Neo-Platonic medievalcosmology to, rather hopefully, symbolize the demise or at least thederailment of the Age of Reason, industrial progress, Imperialism, andtheir respective ideologies of misogyny. For Fevvers and Walser theexcess of the carnivalesque prompts a crisis of subjectivity thatsignals both the redundancy of restrictive ideologies of demarcationand hierarchy, but also the playful possibilities of corporeal fluidity andreferential relativism.

Integration of the feminine into Latin American culture: in search of a new social paradigm

Includes bibliography

Bias in the indexing languages Theorethical approaches about feminine issues

The process of knowledge representation as well as its procedures or tools and its products are not neutral in terms of values; instead they imply moral values. In this context, bias in representation related to prejudice and discrimination, to gender issues, to dicotomic categorization in classification systems or in thesauri and to lack of cultural warrant may arise. Concerning the problem of bias in indexing languages, starting from the initial theoretical reflexions of Brey (1999), Berman (1993), Olson (1998; 2002), Lopez-Huertas Perez & Torres Ramirez (2005), Guimaraes (2006), Hjorland (2008) and Milani et al. (2009), the proposal is to present a preliminary categorization aiming at facilitating the identification of bias concerning feminine issues in indexing languages, to offer a contribution to the theoretical universe of the specific questions of knowledge organization and to present a theme to be discussed by educators and professionals in the areas of cataloging, classification and indexing. If in a society which intends to be politically correct, social attitudes towards stigmatized citizens should be modified, then, the universe of indexing languages, taken as tools of knowledge representation, is a fertile field to sow this reflexion.

Imaginary irishness: the feminine in dramatisations of the Paster Rising in Sean O’Casey’s the plough and the stars and Tom Murphy’s The Patriot Game

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Women from the point of view of the Bukowskian narrator: the representation of the feminine universe in Erections, Ejaculations, Exhibitions and General Tales of Ordinary Madness

Pós-graduação em Letras - IBILCE

Gender on the Range: Feminine Strategies in the 1913 Michigan Copper Strike

In the autumn of 1913, a small, remote Michigan mining community attracted national attention as miners and management found themselves embroiled in a conflict that would prove no easy victory for either side. The strike came as a shock to management, who, with the help of a nearly perfected paternal system, had come to expect a generally docile and compliant workforce. But what was even more shocking was the involvement of the miners’ wives in the strike effort, and the lengths they went to in order to keep men from crossing the picket line. This paper focuses on that effort, arguing that the women of the Michigan copper country developed strike strategies that were derived from their domestic experience, and justified their involvement through maternal arguments. However, these public actions allowed the management to disregard the respect and courtesy generally given to the domestic sphere as police and private agents perpetrated a number of home invasions in an attempt to break the strike. The involvement of women in male dominated labor disputes (mining, steel productions) has been largely ignored in the literature due to their indirect connection to the company as wives and not workers. This paper seeks to remedy this gap, and gain a better understanding of that indirect relationship. Sources include newspaper articles, private correspondence, public investigation records, and oral histories, found largely in the Michigan Tech Archives and Copper Country Historical Collections, Michigan Technological University, Michigan.