Narrativising the `woman monster`: heroines who transgress the feminine script

Contemporary fiction, through its delineation of “feminine” and “unfeminine” women, ultimately either perpetuates or challenges the patriarchal discourse of femininity. This paper is premised on the belief that “the feminine” falls into two specific categories, each as limiting in scope as the other: namely, conformity and transgression.

Feminine transports and transformations : textual performances of Australian women convicts and emigrants from 1788 to 1850

While scholars have critiqued early representations of the white colonial female in the form of the novel, short story, or historical narrative, analyses of poetry tend to be located only on that produced in Australia and often in light of a nascent national identity. This article examines how poetic renditions of the desolate woman might be viewed as part of imperialism's mythologising process, displacing more worrying versions of womanhood in relation to the new colonies. While social anxieties over the identity of the white colonial female would result in highly controlled productions of the female convict and female emigrant, this article demonstrates how they also prove unstable and point to a disruptive reality beyond language.

L. Bernard Hall and the feminine in Australian painting 1885-1935

This thesis draws on images to explore the processes by which an individual - Lindsay Bernard Hall - and a categorical concept - the feminine - became devalued in Australia's national tradition. It celebrates Hall's contribution to Australia's cultural heritage and the significance of his art in the visual record of modernising womanhood.

Feminine hero body project

Working within painting's conventions, yet breaking from the tradition of rendering the female form according to social codes, allows the affect of everyday experiences to enter the activity of painting. This enables reading and interpretation of artwork that is not confined to social or cultural stereotypes from which feminine identity is often formed.

Gendered service delivery : a masculine and feminine perspective on staff gender

Despite acknowledgement that paid caregivers have a significant impact on the lives of people with intellectual disability, the subjective experience of staff gender is rarely considered in research. Qualitative data from a study on the sexual health needs of men and boys with intellectual disability is presented. We designed this study to determine what impact staff gender has on the sexual health needs of men and boys with intellectual disability. Findings suggest that although staff traverse the same geographies of care, they do it in uniquely gendered ways. Staff gender is an important consideration when dealing with sexual health matters and can enhance the type and quality of relationships between people with intellectual disability.

Feminine Bravery: The Girl's Realm (1898–1915) and the Second Boer War

With the advent of the Second Boer War in 1899, The Girl’s Realm incorporated heroism within its production of English femininity by presenting images of wartime girlhood where girls understood their roles and responsibilities as supporters of the war effort. Nonetheless, the representations of feminine bravery in the magazine are complex and somewhat ambiguous. Although the magazine encourages heroism in a variety of forms, its contributors betray a tendency to fall back onto traditional domestic models of bravery. Thus the Boer War was pivotal in depictions of girls’ bravery, yet it also limited that bravery.

Re-visioning Australian social realism through a feminine lens

This research explores the unique ways in which female film practitioners in Australia are utilising social realist politics in examining the stories of women in marginalised spaces. The findings add to the much needed gravitas of the female voice in contemporary Australian film.

Governance, representation and the ‘monstrous regiment’: is the collective feminine?

Alternatives to the individualistic emphasis of liberal theory focus attention on collective dimensions of social life with implications for legal and political analysis of the state, of representation, and of international law. In this context, relationships between the individual–collective dichotomy and the dichotomy of gender demand attention because of the claimed affiliations of individualism with social understandings of masculinity.

Feminine freakishness: Carnivalesque bodies in Angela Carter’s nights at the circus

Angela Carter described herself as being in the “demythologisingbusiness” (“Notes”, 38) and in her 1984 novel Nights at the CircusCarter’s interrogative scope is both broad and complex. The wingedaerialiste Fevvers and the rag-bag of circus freaks with whom shejourneys evoke the Rabelaisian carnivalesque that Bakhtin cites as apowerful challenge to the spatial, temporal, and linguistic fixities of themedieval world. The transformative and regenerative potential ofRabelais’ grotesque is evident in Nights' temporal setting, whichforegrounds the possibilities of birth through death. Set at the “fagend” of the nineteenth century (19), the characters are witness tohistory on the cusp as “[t]he old dying world gives birth to the newone” (Bakhtin, 435). Here Carter has shifted the point of historicalregeneration from Rabelais’ subversion of the Neo-Platonic medievalcosmology to, rather hopefully, symbolize the demise or at least thederailment of the Age of Reason, industrial progress, Imperialism, andtheir respective ideologies of misogyny. For Fevvers and Walser theexcess of the carnivalesque prompts a crisis of subjectivity thatsignals both the redundancy of restrictive ideologies of demarcationand hierarchy, but also the playful possibilities of corporeal fluidity andreferential relativism.

Gender stereotypes and drinking cognitions as indicators of moderate and high risk drinking among young women and men

The study examined differences in gender stereotypes, restrained drinking and self-efficacy for alcohol refusal between moderate and high risk drinkers among a university sample of 301 women and 118 men. Both female and male high risk drinkers displayed a response conflict, typified by high scores on restrained drinking but low scores on self-efficacy. This pattern of response conflict was more pronounced for high risk drinking women, who also identified poorly with feminine traits (e.g. ‘nurturing’, ‘love children’, ‘appreciative’). The findings are discussed in relation to society's double standard that accepts intoxication in men but condemns it in women.

Rural women and local economic development in south-west Victoria

In the 1990s, the appearance of women in leadership roles in local economic development organisations in small south-west Victorian towns heralded a change in gender relations in rural Australia. This paper contributes to an understanding of this process by investigating the actions and motives of women in leadership roles in small rural towns in south-west Victoria. The paper begins by establishing a framework of analysis based upon a notion of ‘paradigms in progress’. The argument is that in an increasingly interconnected world broader economic, social and political concerns encroach upon local cultures. In this process, older social paradigms or popularly accepted models for how the world works are either transformed, discarded or replaced on different levels. The different levels to which this paper refers are the macromodels of patriarchy, the mesomodels of economic development and the micromodels of leadership. It is the way that these levels intersect and how they are being changed that informs the explanation of women and leadership in south-west Victoria. The paper applies this framework to an analysis of interviews with 15 women in small towns in south-west Victoria. The paper concludes that women in the south-west have been able both to feminise the politics of local economic development as well as reposition the feminine in local social discourses.