The cries of a frustrated reformer : Lindsay Tanner’s vexed history with the left

Lindsay Tanner was one of a generation of Labor activists who came to political maturity in the 1980s. These were challenging years for the Australian left.

Do teachers of management "Practice what they preach"?

This paper reports on the teaching of management units and examines the teaching practices inline with the management and in particular the leadership and motivation techniques and theories that are taught in these units. The theory challenges the notion that many management academics “Practice what they Preach”. In a dynamic environment that cries out for Transformation Leadership, Transactional management is often the norm. The findings highlight that academics especially management executive academics do “Practice what they Preach” and this counters the argument by some Theory ‘X’ academics that students have an inherent dislike of work and will avoid it if they can. Leading to the only way to get most students to work and study is they must be coerced, controlled, directed, threatened with punishing with bad marks or failure. (McGregor 1960 p34)

Myths and absent signifiers in representations of Aboriginal identity in Australian cinema

This article examines how meaning is always articulated in the ideological and political structures of society. This becomes apparent when evidencing articulated Aboriginal representation in Australian cinema, which signifies a representation on screen expressive of the ideological and political structures of the historical time periods in which the films were produced. Meaning, which is the relationship between the signifier and its signified, includes both denotation and connotation. Specific connotators can load a sign with multiple meanings leading to a chain of connotations.  The connotations of Aboriginal identity in Australian filmic narratives are influenced by a chain of additional signified, those of: socio-cultural variables and dominant discourses. This article analyses these chains of connotations through an examination of myths and absent signifiers in filmic representations of Aboriginal identity. The films investigated are: Jedda (Charles Chauvel 1955), Walkabout (Nicolas Roeg 1971), Night Cries (Tracey Moffatt 1990) and Rabbit Proof Fence (Philip Noyce 2002).