A violência e a indisciplina em contexto escolar: O papel dos professores entre o passado e o presente

No mundo do trabalho, o êxito depende da capacidade revelada para conhecer e desempenhar o nosso papel. E a carreira docente não foge a esta regra. À semelhança do que acontece com os actores e as actrizes - que são avaliados pela qualidade que imprimem aos papéis representados - também os juízos de valor sobre os docentes assentam na aptidão demonstrada para dominarem todas as subtilezas inerentes ao papel de professores. A sua forma de actuar perante situações melindrosas e excepcionais, de indisciplina e de violência, o seu sentir, constituirão o objecto de análise neste trabalho. Os professores, muitas vezes, actuam com base em conceitos veiculados pelos seus pais e formadores, que poderão ter sido válidos para eles, mas que não o são, decerto, hoje em dia. Podem ter resultado no início das carreiras, mas, em regra, foram perdendo utilidade em fases posteriores. Pela análise das histórias de vida dos professores levantam-se várias hipóteses quanto à construção dessas posturas e aos condimentos que possibilitam uma adesão à mudança necessária. Urge implementar uma alteração da sua maneira de pensar a abordagem às situações de indisciplina e de violência escolares, porque tal é essencial para alterar comportamentos que lhes podem ser prejudiciais. Este trabalho obedeceu a dois propósitos: proporcionar informação enquadrada em bases teóricas sólidas que possa sustentar intervenções ajustadas na sala de aula e suscitar a reflexão dos docentes sobre os seus papéis e as suas práticas. Não temos, contudo, a pretensão de que essa informação seja bastante para a resolução dos problemas de indisciplina, mas alimentamos a esperança de que as pistas de reflexão e de acção, bem como os conceitos mobilizados, possam ajudar a uma acção educativa simultaneamente mais eficaz e satisfatória. Assim, acreditamos que este trabalho estimulará os professores a encarar as situações de indisciplina e violência de um modo mais tranquilo, emocionalmente mais distante, sem o rígido recurso à auto culpabilização ou às hetero-acusações. ABSTRACT: ln the working world, success depends on the way we know and play our roles. And the teaching role is not different. An actor (or actress) is evaluated by the quality of his (or her) role performance; in the same way, the value judgements about teachers are linked with their capacity to dominate all the aspects of their teaching role. Their way to intervene in problematic and special situations, dealing with violence and indiscipline, their feelings, are the main objective of this research project. Many times, teachers act remembering what their parents and old teachers taught them. These old concepts and ideas worked well in the beginning of their careers but are not valid today. Analyzing the life stories of teachers, we can find several answers for their positions when facing these problems. It is necessary to compel them to change their minds, to transform their reactions over problematic situations of indiscipline and violence or they will face more problems in the near future. This research project has two intentions: to give theoretical information helping teachers to act correctly in the classrooms and to show that a time for reflection is necessary, to analyse their roles and procedures. We are not so naïve in thinking that this project is enough to find a solution for all the indiscipline and violence problems in schools, but we really believe that it will help teachers to face those problems in a more peaceful way, not so emotional and with better results.

Desenvolvimento e espiritualidade: Percursos de vida dos ministros ordenados da Igreja Católica

Este estudo procurou conhecer em que medida a espiritualidade se relaciona com o desenvolvimento ao longo da vida adulta. A amostra é constituída por, 4 Ministros ordenados da Igreja Católica, com idades compreendidas entre os 42 e 66 anos. A abordagem teórica foi conduzida em duas vertentes: 1) serviu-se das teorias de desenvolvimento e 2) incidiu sobre o estudo da espiritualidade e a forma como ela se relaciona com o desenvolvimento humano. Na parte metodológica, estudaram-se quatro histórias de vida, recolhidas inicialmente sob a forma escrita e depois completadas através de entrevistas abertas, que foram analisadas através da análise de conteúdo. Nos casos estudados verificou-se a presença da espiritualidade no percurso de vida e também que a mesma influenciou significativamente o seu desenvolvimento, onde os fatores comuns, que permitem relacionar a espiritualidade com desenvolvimento são visíveis e imprescindíveis para que o crescimento no sentido da vida plena aconteça com normalidade. ABSTRACT: This study intends to understand how spirituality is related to human development throughout adult life. The sample consists of four Catholic Ministers, with ages between 42 and 66 years old. The theoretical approach was conducted in two parts: 1) based on development theories and 2) focused on the study of spirituality and its relation with human development. ln the methodological part four life stories were studied, initially collected in written form and then completed by open interviews, analyzed through content analysis. ln the studied cases, spirituality was noticed in the life journey of ministers and it strongly affected its development. Moreover, common factors of association between spirituality and development are also visible and essential so that the path towards life fulfillment and full life happens normally.

Creative Practices Around the Production of Cork

Cork, as a natural product provided by the bark of the cork oak tree, is an important staple of the Portuguese economy and important to Portuguese culture. It is a sustainable product with a positive ecological footprint, from harvesting to industrial production, with the advantage of creating a local economic model through regional labour activity and distribution. Within the balance between nature-human-economy to create a sustainable system, cork production in Portugal represents a human and social dimension. By focusing on that dimension and by creating an awareness of the cultural and social impact of the activity and by re-appraising the meaning of the material within the culture, the study reframes a consideration of the actual place of labour and production. The human, geophysical, historical, social, economic, ecological and cultural aspects of the place are observed as regards their relation to work or labour in that physical space. A pilot study is being developed in the village of Azaruja in the district of Évora, Portugal. In this small locality, cork is very important in terms of the relationships between the physical subsistence of their residents and the local natural resources, because it structures the place in its cultural, social and economical dimensions. This paper outlines the theoretical foundations, the process and the outcomes of the participatory ecodesign project titled Creative Practices Around the Production of Cork which was initiated by a Portuguese artist/design researcher and developed further through the collaboration with the other two authors, one a Portuguese visual artist/researcher and the other a Turkish fashion designer/theorist. The investigation focuses on questions that expand the notion of place for artists and designers, filtered through the lenses of manual labourers in order to understand their physical, social, cultural and economic relationship with the environment. To create the process of interaction with the place and the people, a creative collaborative dynamic is developed between the authors with their range of artistic sensibilities and the local population. To adopt a holistic notion of sustainability and cultural identity a process of investigation is designated to: (1) analyse, test and interpret - through the dissemination of life stories, visual representation of the place and the creation of cork objects - the importance of culture related to the labour activity of a local natural resource that determines and structures the region; (2) to give public recognition to those involved, taking into account their sense of belonging to the place and in order to show the value of their sustainable labour activities related to local natural resources; (3) to contribute to the knowledge of the place and to its dynamism through an aesthetic approach to labour activities. With reference to fields of knowledge such as anthropology, the social arts and sustainable design, a practice-based research is conducted with collaborative and participatory design methods to create an open model of interaction which involves local people in the realization of the project. Outcomes of this research will be presented in the paper as a survey analysis with theoretical conclusions.