The digital-bricoleur: Contemporary screen-based visual art practices


Autoria(s): McKewen, Daniel
Data(s)

02/07/2015

Resumo

This paper describes a practice-led methodology that combines contemporary art theory and processes, as well as concepts of fan studies to construct a space for the critical and creative exploration of screen culture. The research promotes new possibilities for purposeful creative engagements with the screen, framed through the lens of what I term the digital-bricoleur. This performative, link-making approach documents the complicit tendencies that arise out of my affective relationship with screen culture, mapping out a cultural terrain in which I can creatively and critically ‘play’. The creative exploitation of this improvisational and aleatory activity then forms the creative research outputs. It appropriates and reconfigures content from screen culture, creating digital video installations aimed at engendering new experiences and critical interpretations of screen culture.

Formato

application/pdf

Identificador

http://eprints.qut.edu.au/94157/

Relação

http://eprints.qut.edu.au/94157/1/McKewen%20-%20FHAANZ%20Paper%20-%20The%20Digital%20Bricoleur.pdf

McKewen, Daniel (2015) The digital-bricoleur: Contemporary screen-based visual art practices. In 17th Conference of the Film and History Association of Australia and New Zealand Conference, 1-3 July 2015, Queensland University of Technology, Brisbane, Qld. (Unpublished)

Direitos

Copyright 2015 Daniel McKewen

Fonte

Creative Industries Faculty; School of Media, Entertainment & Creative Arts

Palavras-Chave #190500 VISUAL ARTS AND CRAFTS #Contemporary Art #Practice-led research #digital-bricolage #Screen culture #link-making
Tipo

Conference Paper