Macrophonics
Data(s) |
01/09/2011
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Resumo |
Artists: Donna Hewitt, Julian Knowles, Wade Marynowsky, Tim Bruniges, Avril Huddy Macrophonics presents new Australian work emerging from the leading edge of where performance interface research is taking place. The program addresses the emerging dialogue between traditional media and emerging digital media, as well as the dialogue across a broad range of musical traditions. Due to recent technological developments, we have reached a point artistically where the relationships between media and genres are being completely re-evaluated. This program presents a cross-section of responses to this condition. Each of the works in the program foregrounds an approach to performance that integrates sensors and novel performance control devices and/or examine how machines can be made musical in performance. Containing works for voice, electronics, video, movement and sensor based gestural controllers, it critically surveys the interface between humans and machines in performance. From sensor based microphones and guitars, performance a/v, to post-rock dronescapes and experimental electronica; Macrophonics provides a broad and engaging survey of new performance approaches in mediatised environments. |
Identificador | |
Publicador |
Under the Radar, Brisbane Festival 2011 |
Relação |
http://www.julianknowles.net/projects/macrophonics/ Hewitt, Donna G. & Knowles, Julian D. (2011) Macrophonics. [Exhibition/Event] |
Fonte |
Creative Industries Faculty; Music & Sound |
Palavras-Chave | #190203 Electronic Media Art #190406 Music Composition #190407 Music Performance #Music composition #computer #electronic music #performance #interface |
Tipo |
Creative Work |