Less popular but more democratic? Corrie, Clarkson and the dancing Cru
Contribuinte(s) |
Turner, Graeme Tay, Jinna |
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Data(s) |
2009
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Resumo |
The central cultural experience of modernity has been change, both the ‘creative destruction’ of existing structures, and the growth, often exponential, of new knowledge. During the twentieth century, the central cultural platform for the collective experience of modernising societies changed too, from page and stage to the screen – from publishing, the press and radio to cinema, television and latterly computer screens. Despite the successive dominance of new media, none has lasted long at the top. The pattern for each was to give way to a successor platform in popularity, but to continue as part of an increasingly crowded media menu. Modern media are supplemented not supplanted by their successors. |
Formato |
image/jpeg |
Identificador | |
Publicador |
Routledge |
Relação |
http://eprints.qut.edu.au/25965/1/TV_After_TV_Cover.jpg http://www.routledgemedia.com/books/Television-Studies-After-TV-isbn9780415477703 Hartley, John (2009) Less popular but more democratic? Corrie, Clarkson and the dancing Cru. In Turner, Graeme & Tay, Jinna (Eds.) Television Studies After TV : Understanding Television in the Post-Broadcast Era. Routledge, London ; New York, pp. 20-30. http://purl.org/au-research/grants/ARC/DP0879596 |
Direitos |
Copyright 2009 John Hartley |
Fonte |
ARC Centre of Excellence for Creative Industries and Innovation; Creative Industries Faculty |
Palavras-Chave | #200101 Communication Studies #200104 Media Studies #200102 Communication Technology and Digital Media Studies #200212 Screen and Media Culture #200299 Cultural Studies not elsewhere classified #Television studies #media #broadcast TV |
Tipo |
Book Chapter |